Maud Dale, Picasso , New York, 1930, no. 37, illustrated (titled Femme sculpteur )
Charles-Henri Peuch, "Picasso et la représentation," Documents , Paris, no. 3, 1930, p. 121, illustrated
Usaburo Ihara, Picasso , Tokyo, 1936, p. 27, illustrated
Jean Cassou, Picasso , Paris, 1940, pl. 33, illustrated
Alexandre Cirici Pellicer, Picasso antes de Picasso , Barcelona, 1946, p. 207, illustrated
Christian Zervos, Pablo Picasso: Oeuvres de 1923 à 1925 , vol. V, Paris, 1952, no. 451, pl. 181, illustrated
Roland Penrose and John Golding, Picasso in Retrospect , New York, 1973, p. 249, illustrated
Frank Elgar, Picasso , Paris, 1974, pl. 53, illustrated
Pierre Descargues, Edward Quinn and John Russell, Picasso , Paris, 1974, p. 125, illustrated in color
Exh. Cat., Kunsthalle Bielefeld, Picassos Klassizimsus, Werke 1914-1934 , 1988, no. 14, p. 74, illustrated; p. 75
Giorgio Cortenova, Picasso: The Works of Pablo Picasso , New York, 1991, p. 197, illustrated in color (titled Woman with Sculpture )
Christian Geelhaar, Picasso: Wegbereiter und Förderer seines Aufstiegs 1899-1939 , Zurich, 1993, pl. 154, p. 151, illustrated
Pierre Daix, Picasso Life and Art , New York, 1993, p. 190
Michael C. FitzGerald, Making Modernism: Picasso and the Creation of the Market for Twentieth Century Art , New York, 1995, p. 158, illustrated (in an installation photograph of the 1926 Paul Rosenberg exhibition); p. 162, illustrated (titled Woman with a Sculpture ); p. 216, illustrated (in an installation photograph of the 1934 Wadsworth Atheneum exhibition)
Exh. Cat., New York, The Museum of Modern Art and Paris, Grand Palais, Picasso and Portraiture: Representation and Transformation , 1996-97, p. 63, illustrated (titled Woman with Sculpture )
Josep Palau i Fabre, Picasso: De los ballets al drama (1917-1926) , vol. III, Barcelona, 1999, no. 1583, p. 445, illustrated (titled The Sculptress )
Brigitte Léal, Christine Piot and Marie-Laure Bernadac, The Ultimate Picasso , New York, 2000, no. 547, p. 231, illustrated in color; p. 230 (titled The Sculptress and The Statue )
Exh. Cat., Hartford, Wadsworth Atheneum and The Cleveland Museum of Art, Picasso: The Artist"s Studio , 2001-02, p. 33, illustrated in color; pp. 32, 34, 42 and 53
Rafael Jackson, Picasso y las poéticas surrealistas, De la biología a lo sagrado , Madrid, 2000, no. 85, p. 110; p. 109 (titled La Escultura )
Carsten-Peter Warncke and Ingo F. Walther, Pablo Picasso, The Works 1890-1936 , vol. I, Cologne, 1994, p. 307, illustrated in color (titled Woman with Sculpture (The Sculptress) )
Exh. Cat., Williamstown, The Sterling and Francine Clark Art Institute and New York, The Metropolitan Museum of Art, The Clark Brothers Collect: Impressionist and Early Modern Paintings , 2006-07, pp. 156, 180 and 340
Exh. Cat., New York, Whitney Museum of American Art; San Francisco Museum of Modern Art and Minneapolis, Walker Art Center, Picasso and American Art, 2006-07, pp. 151 and 155, illustrated
John Richardson, A Life of Picasso: The Triumphant Years, 1917-1932 , vol. III, New York, 2007, p. 302, illustrated (titled The Sculptress )
Exh. Cat., Zürich, Kunsthaus, Picasso By Picasso. His First Museum Exhibition 1932 , 2010-11, p. 101, illustrated (in an installation photograph of the 1932 Galerie Georges Petit exhibition)
Exh. Cat., London, Tate Modern and Paris, Musée Picasso, Picasso 1932 Love Fame Tragedy , 2017-18, p. 126, illustrated (in an installation photograph of the 1932 Galerie Georges Petit exhibition)
Enrique Mallen, Pablo Picasso. The Interaction between Collectors and Exhibitions, 1899-1939 , Portland, 2018, pp. 97 and 277 (titled La Statuaire (La Femme sculpteur) )